<i>"A weekend wasted is never a wasted weekend."</i> Told from three perspectives, a story of a bunch of young Californians trying to get some cash, do and deal some drugs, score money and sex in Las Vegas, and generally experience the rush of life. <center><font size=+2 face="Century Schoolbook"><b><u>REVIEW</u></b></font></center> "Go" tells three separate stories linked together by a drug deal gone wrong. One concerns a first-time dealer hoping to secure rent money, another concerns a group of pals on a road trip to Vegas and the last concerns a gay couple coerced into co-operating with a sting operation. The narrative approach is similar to films like "Pulp Fiction", wherein multiple story lines contain some common element(s) and intersect at times throughout the film. John August's script uses this approach well and manages to tell a story that is clever and unpredictable. The direction by Doug Liman is also well-handled and shows some inventiveness without being overindulgent. Additionally, the soundtrack is skillfully assembled and fits the film's atmosphere perfectly. "Go" features a first rate cast of actors who ease nicely into their roles and slide into that fine balance between seriousness and humor that the screenplay establishes. In a similar way, the film itself glides fluidly between past and present, drawing, again like "Pulp Fiction" a giant narrative circumference around the action. It may take awhile for a viewer to capture the rhythms of the film, but, by sticking with it and following it along on its unorthodox course, that viewer will be handsomely rewarded.